‚iE‚rEƒoƒbƒnFƒCƒMƒŠƒX‘g‹Èi‘S‚U‹Èj
“n粇¶iƒ`ƒFƒ“ƒoƒj
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‹È–ڈꗗ
- Disc 1
- [1]-[9] Suite No.1 in A-major, BWV806 ‘g‹È‘æ‚P”ÔƒC’·’²
- [10]-[15] Suite No.2 in A-minor, BWV807 ‘g‹È‘æ‚Q”ÔƒC’Z’²
- [16]-[21] Suite No.3 in G-minor, BWV808 ‘g‹È‘æ‚R”Ôƒg’Z’²
- [22]-[35] Analysis of the Prelude from the 4th Suite in F-major, BWV809@‘æ‚S”Ԃ̃vƒŒƒŠƒ…[ƒh‚Ì•ªÍ
- Disc 2
- [1]-[6] Suite No.4 in F-major, BWV809 ‘g‹È‘æ‚S”Ôƒw’·’²
- [7]-[12] Suite No.5 in E-minor, BWV810 ‘g‹È‘æ‚T”Ôƒz’Z’²
- [13]-[19] Suite No.6 in D-minor, BWV811 ‘g‹È‘æ‚U”Ôƒj’Z’²
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Žg—pŠyŠí Instruments
Ioannes Ruckers, Antwerp 1624
restored by Christopher Clarke, 1979
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˜^‰¹ Recorded
Musee d'Unterlinden Colmar, 27 April - 2 May 2005
ƒtƒ‰ƒ“ƒXAƒRƒ‹ƒ}[ƒ‹ŽsAƒEƒ“ƒ^[ƒŠƒ“ƒfƒ“”Ž•¨ŠÙ ‚Q‚O‚O‚T”N‚SŒŽ‚Q‚V“ú`‚TŒŽ‚Q“ú
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